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Mayakkama Kalakkama

மயக்கமா கலக்கமா

A philosophical classic questioning the nature of confusion and clarity in life. One of Kannadasan's most quoted songs, known for its existential depth in a deceptively simple tune.

Paattum Naane Bhavamum Naane

பாட்டும் நானே பாவமும் நானே

A declaration of artistic identity where the poet proclaims that song and emotion are his own. A landmark in Sivaji Ganesan's portrayal of a poet-king.

Unnai Ondru Ketpen

உன்னை ஒன்று கேட்பேன்

A graceful romantic plea remembered for its elegant melody and quiet dignity of longing. A signature Sivaji Ganesan song.

Avalukenna Azhagiya Mugam

அவளுக்கென்ன அழகிய முகம்

A tender love song celebrating the beloved's beauty with warmth and playful admiration. One of the most beloved romantic numbers in Tamil cinema.

Ponal Pogattum Poda

போனால் போகட்டும் போடா

A defiant anthem about letting go and moving on. Became cultural shorthand for resilience, quoted across generations.

Naan Aanaiyittal

நான் ஆணையிட்டால்

An energetic, boastful mass-hero anthem where MGR's persona is elevated through confident, rhythmic lines.

Adho Andha Paravai Pola

அதோ அந்த பறவை போல

A yearning song about freedom and aspiration. The soaring bird became an enduring metaphor for the human spirit in Kannadasan's poetry.

Ullathil Nalla Ullam

உள்ளத்தில் நல்ல உள்ளம்

A philosophical gem about inner goodness and the triumph of virtue. Distills Kannadasan's moral vision into memorable poetic lines.

Oru Naal Podhuma

ஒரு நாள் போதுமா

A devotional outpouring asking whether a single day is enough to sing the glories of the divine. Merges bhakti with poetic inquiry.

Pon Ondru Kanden

பொன் ஒன்று கண்டேன்

A romantic classic declaring gold found in the beloved's eyes. Metaphor-driven lyrics showcase Kannadasan's gift for elevating simple romance.

Kallellam Manicka Kal

கல்லெல்லாம் மாணிக்கக் கல்

A song that transforms ordinary stones into gems through the alchemy of love. How love changes the way we see the world.

Poga Poga Theriyum

போகப் போகத் தெரியும்

A coming-of-age reflection about how life's truths reveal themselves only through experience. Captures the bittersweet wisdom of growing up.

Chittukuruvi Mutham Koduthu

சிட்டுக்குருவி முத்தம் கொடுத்து

A playful romantic duet using nature imagery — a sparrow's kiss, the breeze's whisper — to describe the lightness of new love.

Enge Nimmadhi

எங்கே நிம்மதி

An existential question-song searching for peace in a restless world. One of Kannadasan's most philosophical film songs.

Deivam Iruppathu Enge

தெய்வம் இருப்பது எங்கே

A searching spiritual song asking where the divine resides — ultimately finding God within the human heart. Reflects Kannadasan's deep bhakti engagement.

Ammavum Neeye Appavum Neeye

அம்மாவும் நீயே அப்பாவும் நீயே

A devotional, child-centered song expressing that the divine is both mother and father. One of the most enduring spiritual songs in Tamil cinema.

Kanne Kalaimane

கண்ணே கலைமானே

A beloved late-career song remembered for tenderness and emotional restraint. The app catalogs song metadata and discusses themes without providing lyrics.

Yaaradi Nee Mohini

யாரடி நீ மோகினி

An early-career hit showcasing Kannadasan's ability to write enchanting romantic numbers from the very start of his film journey.

Kannum Kannum Kalandhu

கண்ணும் கண்ணும் கலந்து

An exuberant celebration of eyes meeting and hearts uniting. A defining duet of late 1950s Tamil cinema.

Kannale Pesi Pesi Kolladhe

கண்ணாலே பேசி பேசி கொல்லாதே

A charming romantic song about the dangerous power of eye contact and silent flirtation between lovers.

Muthukkulikka Vaareergala

முத்துக்குளிக்க வாரீர்களா

A joyfully inviting song using pearl-diving as a metaphor for discovering the richness of life and love. Irresistibly uplifting.

Ulagam Pirandhadhu Enakkaga

உலகம் பிறந்தது எனக்காக

A lover's solipsistic joy where the whole world feels like it was created just for the beloved. A classic expression of romantic immersion.

Muthaitharu Pathi Thirunagai

முத்தைத்தரு பத்தி திருநகை

A revered devotional piece setting classical Tamil poetic forms to film music. Among the most respected devotional compositions in Tamil cinema history.

Manithan Enbavan Deivamagalam

மனிதன் என்பவன் தெய்வமாகலாம்

A humanist anthem declaring that a human being can become divine through virtue and compassion. Among Kannadasan's most quoted philosophical lines.

Satti Sutthadhada

சட்டி சுட்டதடா

A folk-flavored, earthy number using everyday imagery to convey profound truths about life. Demonstrates Kannadasan's gift for colloquial-philosophical style.

Madhavi Pon Mayilaal

மாதவி பொன் மயிலால்

A melodious romantic duet celebrated for lyrical beauty and the interplay of classical poetics with film music.

Enna Vechukittu Kannukutti

என்ன வெச்சுக்கிட்டு கண்ணுக்குட்டி

A lighthearted, teasing romance where Kannadasan's playful side shines through colloquial Tamil banter set to music.

Andru Vandhadhum Idhe Nila

அன்று வந்ததும் இதே நிலா

A nostalgic love song where the same moonlight that witnessed past love now bears witness to longing and memory.

Maharajan Ulagai Aalvathundo

மகாராஜன் உலகை ஆள்வதுண்டோ

A majestic philosophical song questioning whether temporal power ever equals moral authority. One of Kannadasan's grandest interrogations.

Nenjam Marappathillai

நெஞ்சம் மறப்பதில்லை

A haunting song about the heart's refusal to forget. The title became so iconic it was later used as a film name, cementing Kannadasan's cultural reach.

Paartha Nyabagam Illaiyo

பார்த்த ஞாபகம் இல்லையோ

A gentle reproach — a lover asking whether the beloved remembers their shared moments. The understated melody heightens the emotional weight.

Aalayamaniyin Oosaiyai

ஆலயமணியின் ஓசையை

A meditative song comparing the temple bell's resonance to the divine call within the heart. Bridges sensory experience with spiritual awakening.

Naanamo Innum Naanamo

நானமோ இன்னும் நானமோ

A teasing, flirtatious song where the lover playfully asks if shyness still lingers between them. Classic Kannadasan wordplay set to music.

Naan Pesa Ninaipathellam

நான் பேச நினைப்பதெல்லாம்

A poignant song about unspoken words and the gap between what one wants to say and what gets said. A theme Kannadasan returned to throughout his career.

Isai Thamizh Nee Seidha

இசை தமிழ் நீ செய்த

A musical tribute celebrating the divine origin of music and the Tamil language. A meta-song about the power of song itself.

Ennavendru Solvadhamma

என்னவென்று சொல்வதம்மா

A mother-son devotional where the hero seeks words to express his devotion. Captures the relationship between mortal and divine mother.

Kannil Vandhadhum Vaayil Vandhadhu

கண்ணில் வந்ததும் வாயில் வந்ததும்

A delightful song about spontaneous expression — what the eyes see, the mouth speaks. Celebrates Kannadasan's philosophy of honest, unfiltered speech.

Podhigai Malai Uchiyile

பொதிகை மலை உச்சியிலே

A visually evocative song painting the geography and mythology of the Tamil land through poetic landscape imagery.

Thanga Padhumai Penn Endru

தங்க பதுமை பெண் என்று

A classic MGR-era romantic song comparing the beloved to a golden statue. Captures the idolization that defined an era of Tamil romantic cinema.

Aatnandhi Aathimanthi

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Aayiram Theevu Angayar Kanni

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Abirami Anthathi

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Adhaivida Ragasiyam

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Alaigal

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Anthi Santhi Arthajaamam

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Anubhava Mozhigal

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Arangamum Anthrangamum

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Arthamulla Indhu Matham Kelvi Pathil

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Avalukkaha Oru Paadal

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Ayrangal Mandapam

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Cheraman Kaadhali

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Cinema Santhaiyil Muppathu Aandugal

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Deivadharishanam

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Enathu Suya Saritham

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Enathu Vasantha Kaalangal

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Ennangal Aayiram

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Enrendrum Kannadhasan

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Gnanamalika

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Ilakiya Peruraigal

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Ilakkiyathil Kaadhal

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Illara Jyothi

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Indraya Thalamuraiyinarukku Arthamulla Hindu Madham

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Iyam Agatru

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Kaalathai vendra Kannadhasan

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Kadal Konda Thennadu

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Kadasippakkam

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Kamini Kanchana

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Kannadhasan 365

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Kannadhasan Aninthuraigal

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Kannadhasan Kavithigal - 3

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Kannadhasan Kavithigal - 4

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Kannadhasan Kavithigal - 5

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Kannadhasan Kavithigal - 6

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Kannadhasan Kavithigal - 7

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Kannadhasan Kavithigal 1 & 2

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Kannadhasan Monthly Magazine June 1973

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Kannadhasan Monthly Magazine May 1973

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Kannadhasan Payanangal

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Kannadhasan Thendral Katturai

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Kannadhasanin Arthamulla Indhu Madham - 1

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Kannadhasanin Arthamulla Indhu Madham - 2

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Kannadhasanin Arthamulla Indhu Madham - 3

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Kannadhasanin Arthamulla Indhu Madham – 10 (Unnayenee Arivai)

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Kannadhasanin Arthamulla Indhu Madham – 4 (Thunbangarlilrundu Viduthalai)

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Kannadhasanin Arthamulla Indhu Madham – 5 (Gnanam Pirantha Kathai)

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Kannadhasanin Arthamulla Indhu Madham – 6 (Nenjukku Nimmathi)

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Kannadhasanin Arthamulla Indhu Madham – 7 (Suhamaana Sinthanaigal)

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Kannadhasanin Arthamulla Indhu Madham – 8 (Boham Rogam Yogam)

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Kannadhasanin Arthamulla Indhu Madham – 9 (Gnanaththai Thedi)

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Kannadhasanin Thirai Isai Paadalgal - 1

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Kannadhasanin Thirai Isai Paadalgal - 2

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Kannadhasanin Thirai Isai Paadalgal - 3

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Kannadhasanin Thirai Isai Paadalgal - 4

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Kannadhasanin Thirai Isai Paadalgal - 5

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Kannan Aruliya Bhagawat Geethai

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Katturaigal

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Kavithanjali

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Kelvigalum Kannadhasan Pathil

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Koolappa Nayakkan Kadhal

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Kudumba Soothiram

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Kudumba Sugam

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Madurai Veeran

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Manam Pola Vazhvu

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Manavasam

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Mangani

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Misa

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Muppathu Naalum Pournami

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Naadodi Mannan

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Naan Paartha Arasiyal

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Naan Rasitha Varnangal

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Nadantha Kathai

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Oru Nathiyin Kathai

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Poi Varugiren

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Pushpamalika

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Raagamalika

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Raththa Pushpangal

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Sarasuvin Soundarya Lagari

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Senbagathamman Kathai

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Seppu Mozhigal

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Vanavasam

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விளக்கு மட்டுமா சிவப்பு

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Love and Loss

அன்பும் இழப்பும்

The app treats love songs as emotional studies: care, separation, memory, dignity, and the ache of ordinary relationships.

Faith and Doubt

நம்பிக்கையும் ஐயமும்

Kannadasan's spiritual writing can be explored as a journey through argument, devotion, doubt, and return.

Language of the People

மக்களின் மொழி

A core editorial path is showing how classical confidence and everyday speech lived together in his Tamil.

Cinema as Public Memory

மக்கள் நினைவாக சினிமா

Songs are cataloged as cultural memory: film, composer, singer, scene, theme, and listener memory without reproducing lyrics.

Born in Sirukoodalpatti

சிறுகூடல்பட்டியில் பிறப்பு

Kannadasan was born as Muthiah Sathappan Chettiar in Sirukoodalpatti, near Karaikudi, in the Nattukottai Nagarathar community.

The name Kannadasan emerges

கண்ணதாசன் என்ற பெயர் உருவாகிறது

Public references connect his early editorial work and literary identity with the adoption of the name Kannadasan.

A public voice across cinema and literature

திரையும் இலக்கியமும் இணைந்த பொதுக் குரல்

His work moved through film lyrics, poems, novels, essays, editing, producing, public life, and spiritual prose.

Cinema as history and public memory

வரலாறும் மக்கள் நினைவும் ஆன சினிமா

Sivagangai Seemai is connected to Kannadasan as producer and writer, showing his cinema work beyond lyric writing.

National Film Awards lyric recognition

தேசிய திரைப்பட விருது பாடல் அங்கீகாரம்

At the 16th National Film Awards, Kannadasan was recognized as lyric writer for the Tamil song Devan Vanthaan from Kuzhanthaikkaga.

Tamil Nadu State Film Award reference

தமிழ்நாடு மாநில திரைப்பட விருது குறிப்பு

Reference indexes list Kannadasan as the 1968 Tamil Nadu State Film Award Best Lyricist recipient for Lakshmi Kalyanam.

Sahitya Akademi Award

சாகித்ய அகாடமி விருது

Sahitya Akademi's awards list records Kannadasan as the 1980 Tamil awardee for Cheraman Kadali, listed as a novel.

Spiritual prose becomes a major doorway

ஆன்மிக உரைநடை ஒரு முக்கிய வாசலாகிறது

Works such as Arthamulla Indhu Matham and Yesu Kaaviyam became part of the way readers encounter his later spiritual range.

Death in Chicago

சிகாகோவில் மறைவு

Public references state that Kannadasan died in Chicago on 17 October 1981 while connected with a Tamil conference visit.

A remembered public figure

மக்கள் நினைவில் வாழும் பொதுப் படைப்பாளர்

Public references note memorial and place-name honors, including Kaviarasar Kannadasan Manimandapam at Karaikudi.